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Classical Mediterranean Architecture (and its derivation) Any student of architecture, anyone travelling in Europe, especially in the Mediterranean countries, is delightfully confronted with a wide variety of ruins , remnants and, luckily, also some intact samples of classical architecture. Often all we can see are the shambles left after destruction through warfare, through natural catastrophy such as earthquakes and volcano eruptions and through the normal decay passing time has caused over many centuries. But even these remnants show the architectural grandeur of times past. We anticipate the harmonic beauty when the buildings were complete. We realize that architecture follows two main laws, one essential, the other deliberate: static and aesthetic. And we observe in awe and admiration what our long time ancestors have created. Architecture in "modern times", i.e. after the classical periods, has continued along these lines. And we see on this page samples of both. Please enjoy it! |
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No title. Classical architecture capriccio. Copper etching by Giuseppe Galli da Bibiena (1696 - 1757) A diversely talented artist, Bibiena produced theater stage design and classical architecture design of the highest quality. He also planned weddings, obsequies, festivities for the noble and for the Empirial and Royal courts of Vienna and Berlin. This copper etching has been trimmed to the edge of image, thereby loosing title and artists credits. The wide margins have been masterfully added, so that the engravings have the appearance of completeness Except for the described faults and very minor traces of age the images are in very good condition. 29 x 49.7 cm (11.3 x 19.6") $ 600.00 Order Nr. CLASSICALARCHITECTURE234608 |
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No title. Classical architecture capriccio. Copper etching by Giuseppe Galli da Bibiena (1696 - 1757) A diversely talented artist, Bibiena produced theater stage design and classical architecture design of the highest quality. He also planned weddings, obsequies, festivities for the noble and for the Empirial and Royal courts of Vienna and Berlin. This copper etching has been trimmed to the edge of image, thereby loosing title and artists credits. The wide margins have been masterfully added, so that the engravings have the appearance of completeness Except for the described faults and very minor traces of age the images are in very good condition. 28.2 x 49.7 cm (11.1 x 19.6") $ 600.00 Order Nr. CLASSICALARCHITECTURE234609 |
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“Remains of the Temple of Jupiter - Constantines Column - St. Pauls Gate - Mausoleum of one of Jupeters Priests - Temple of Pace" (All titles in Latin, German, French, English) Copper etching of very high quality by Georg Christoph Kilian (1709 - 1781). Augsburg, ca. 1750 Kilian, a master of etching copperplates in an extremely high quality style has united ito a capriccio n harmonious union well known architectural antiquities to form a capriccio to which he adds a group of people marvelling at the noble remnant and ruins of highly cultural times past. Very pleasant general age toning. Strong, flawless impression. A smal repaired tear in lower right margin corner does not disturb the overall appearance of a fine condition. 30.5 x 44.4 cm (12 x 17.5") $ 780.00 |
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“The Basilica of Antoni - The Arch of Constantine - Ruins of an ancient Temple near Pozzuoli - The Obelisk of Augustus - The Pantheon". (All titles in Latin, German, French, English) Copper etching of very high quality by Georg Christoph Kilian (1709 - 1781). Augsburg, ca. 1750 Kilian, a master of etching copperplates in an extremely high quality style has united ito a capriccio n harmonious union well known architectural antiquities to form a capriccio to which he adds a group of people marvelling at the noble remnant and ruins of highly cultural times past. Very pleasant general age toning. Strong, flawless impression. Lower centerfold has been supported. 30.2 x 44.5 cm (11.9 x 17.5") $ 780.00 Order Nr. ROMA 23406 |
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Here is an interesting triptychon of St. Peter Basilica in Rome: The outside lateral view, secondly the architectural vertical length section of the same and, thirdly, the architectural vertical section across St. Peter through the cupola.
Exterior Latus Vaticanae
Basilicae Cum Suis Pilis, et Loculamentis Ac Hemisphaerio
Magno Strong impression. Print has a repair in lower left margin corner. Two original paper creases in right margin. 28.1 x 40.7 cm ( 11 x 16 ") - - - - -
Interioris Templi Transversa
Brachia A Meride Ad Boream Atque Hemisphaerium Magnum
Quatuor Print has repair on lower margin edge. Spotting in lower right margin corner. Light soiling in upper right margin corner. 26 x 27.7 cm ( 10.2 x 10.9 ") - - - - -
Interioris Templi Latus
Iuxta Suam Longitidinem Ab Ortu as Occasum cum
Hemisphaerio
Copper engraving by Gio. Colin after Franc. Bufalinos Urbinas, printed in 1684, Io Iacob de rubeis Formis Romae as Rempl. S. M. de Pace. 28.3 x 41 cm ( 11.1 x 16.1 ") The price for the set of three is $ 820.00 Order Nr. ARCHITECTURE5901 |
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Two further architectural views of St. Peter in Rome, both of them on the same page: Entrance to the vestibule of St. Peter and the entrance from the vestibule to the actual church. The left portal marked with a cross is the portal which was opened last during the Holy Year 2000 and has since beennasoned shut.
Upper image: 1. Aspectus
Interior Porticus Inferioris In Vestibulo Qua Datur
Introitus Ad Basilicum. Copper engraving by Gio. Colin after Franc. Bufalinos Urbinas, printed in 1684, Io Iacob de rubeis Formis Romae as Rempl. S. M. de Pace. Lower image: Aspectus Interior Qua Datur Egressus A Basilica In Porticum. Print has a few light, scattered spots. Small repaired tear on right margin edge. 26.4 x 26 cm ( 10.2 x 10.2 ") $ 200.00 Order Nr. ARCHITECTURE5902 |
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Templi Societatis Iesus Interius Latus Iacobo Barotio Aviniola Arch. (Giacomo Barozzi da Vignola)
Copper engraving by Io. Franciscus Venturinus, 1684. Print has light spotting and browning in outer margins. Original paper crease and thin spot in upper right margin. This is the architectural vertical section of the Jesuit church "Il Gesù" in Rome of the architect Jacobus Barotio Aviniola 31 x 38.5 cm ( 12.2 ") $ 320.00 Order Nr. ARCHITECTURE5903 |
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Veduta del Interno del Pronao del Pantheon (under the Portico of the Pantheon) Copper etching by Luigi Rossini
(1790 Ravenna-Roma 1857) from his "Le Antichita dei Clean with wide margins. Small
repair on lower margin edge. A few minor creases. $ 680.00 Order Nr. ROMA1197 |
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Facies Panthei Interna (Vertical section of the Pantheon in Rome) Anonymous copper etching.
Published by Pierre Mortier (1661-1711). Mortier bought
the Print has a tiny bit more age
toning than photo shows. Vertical centerfold to fit book
size. 39.2 x 49.8 cm (15.4 x 19.6 ") $ 880.00 Order Nr. ROMA1198 |
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Amphiteatrum Tauri Statilii L'Amphitheatre de Statilus
Taurus amis D'Auguste a Rome. Anonymous copper etching.
Published by Pierre Mortier (1661-1711). Mortier bought the
plates Vertical centerfold to fit book
size. Very light browning along centerfold. 38.2 x 49.7 cm ( 15 x 19.6 ") $ 670.00 Order Nr. ROMA1200 |
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Theatrum Marcelli nunc Palatium Sabellorum Anonymous copper etching
published by Pierre Mortier (1661-1711). Very wide margins. Vertical
centerfold to fit original book size. 37.6 x 52.3 cm ( 14.8 x 20.6 ") $ 670.00 Order Nr. ROMA1201 |
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Architecture - Le Pautre Here is a small series of architectural designs, all of them facades, main entrances of imaginatory major churches in boroque style. Designer and engraver was Jean Le Pautre (1618 - 1882) who was a French artist specializing in architecture. As far as we know these designs were never actually executed. Copper etchings by Jean Le Pautre. Ca. 1670. Engravings are clean and in very good condition. Page size is 30 x 19 cm (11.8 x 7.5"). Price for each engraving is $ 40.00 SOLD
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Pisa. - "Veduta del Campanile di Pisa in Toscana" Copper etching by Antonio Verico. Published by Giovanni Battista Guerrazzi. Dated 1816 Text states: the construction beginning in the year 1174 the architects Guglielmo da Norimberga and Bonanno Pisano some of the measurements Further text: Dedication to His Excellency Giovanni Fane Lord Burghersh (General John Fane, 11th Earl of Westmorland (1784 - 1859). Fane was British Minister to Tuscany in Florence from 1814 to 1830 (among many other posts) The coat of arms shield: Ne vile fano (bring no vile things to the temple) may be John Fane's. The impressive copper etching has hung in our home over 30 years. It has to yield its wall space, alas!, for an equally much cherished gouache of an equally impressive eruption of Vesuvius. Print has narrow margins all around. There are some traces of age like general age toning, some wrinkledness and a few repaired tiny tears along margin edges. 52.8 x 37.6 cm ( 20.8 x 14.8") $ 1800.00 Order Nr. ITALYPISA235060 |
© Rainer Rauhut 2010 |